Having been spending a lot of time at home this year I have been doing a lot of embroidery and I wanted to share some here.
For Breakfast at Tiffany’s I challenged myself to make a “Wedding dress” out of only what I could get at the local op shops. I had seen dresses made of doilies and found them to be mostly horrendous so I had set myself a difficult task.
I used a mix of tablecloths, doilies, White business shirts, lace trim from tissue box covers, bed linen and lace from the sewing supply section. These came from Op shops from Pambula to Bega and every town in between.
Scraps of fabric take up a lot of space and I have never been sentimental enough to waste any of mine on a basket of scraps. I have however cut hexagons out of most of them and kept them for quilting.
For Breakfast at Tiffany’s this past year the theme was inspired by using recycled materials and I was inspired to see if could make them into a dress.
Hexagons like this always need to be sewn together by hand. Very time consuming but has the advantage of being portable so I can work on the couch.
I pieced the hexies together over my dress form set to the measurements of the model for the bodice. She came over for a fitting to refine the shape around the neck and arms. The skirt was one large rectangle draped into pleats at the front and joined at an angle at the back allowing the skirt to flare out more and create a little train.
Finally my entry in the Foundations revealed corset competition has been posted.
while you are over there have a good look over the rest of the amazing work.
A recent lovely project has been to take apart and re-imagine a 70’s wedding dress for a modern bride. It was her mothers dress which has great sentimental value in the family, a lovely addition to a wedding day.
The skirt was removed and kept almost complete except for a revision at the hem where I trimmed around the lace and stiffened the edge. I also added an underscore of bridal tulle.
The bodice and over jacket was taken apart and turned into a sweetheart neckline with sheer tulle straps that closed at the upper back leaving the lower back open. Motifs from the lace were trimmed out and hand applied to the tulle straps.
An overblown rose made from wired sections of lace taken from the brides mothers wedding dress. The stamens are vintage pearl, the feathers are the palest emu in my collection with their darker tips trimmed off.
This dress is a few years old now and I have just realised it wasn’t yet posted. It is made from bias cut cotton voile and had a crochet back. The side closes with embroidered loops and mother of pearl buttons. It would need a lovely backless lining to be work anywhere other than the catwalk.
This bride was incredibly lucky, the sales assistant where she purchased her dress gave her some scraps of lace when she collected her dress. As she came to me to make her dress smaller and not larger the lace wasn’t needed for on the dress.
Along with the leftover lace and a scrap of chiffon trimmed from her hem I made this lovely hairpiece.
Below images show chiffon petals being sewn into a rose and wired lace wrapped in white florists tape waiting to be combined.
The addition of 4 little comb for flower girls came later when I realised there would be more lace than needed. These also included some blossoms made from the mesh between the lace and some vintage pearl stamens.
Feathers are amazing structures and its no wonder they have been used in fashion since as long as people have been adorning themselves. There are a large number of feather types commonly used in fashion and even more ways to use them. In this post I am going to look at Ostrich. A versatile feather as it can be used as a whole feather or pulled apart.
This dress is probably the most simple way to use feathers, a light scattering of ostrich wisps applied to lace. When feathers are added to light fabrics they are usually stitched which can be time consuming so to keep the numbers down can save time and effort. These feathers have been dyed to match the dress colour. Dying feathers is actually quite easy.
Shoes by Jimmy Choo, well outside of my budget but I wonder if some glue and feathers could make a more simple pair of heels this incredible?
I am sure this couture feather skirt by Giambattista Valli was hand sewn individual tufts of feathers. It is possible to cheat a little as feathers are available already strung like a fringe. These fringes would then be applied to the skirt.
This vintage cape is using Ostrich feathers in their natural untreated colour. These feathers are likely applied by splitting the main quill and sewing down each half.
Here are some feathers looking lovely for your enjoyment.